Period Costuming

PULASKI, TN - JULY 11:  Members of the Fratern...

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F​rom the sweeping ball gowns of the Civil War era to the streamlined and fringed dress of the 1920s flapper, costumes are an integral part of what makes a film or theater production. Without the appropriate costumes for the region, style and era, no movie or play would be able to accurately convey the true stories as they were written. For this reason, accurate period costuming is a necessity in the entertainment industry.

D​uring the time of the Roman Empire, most women and men wore similar clothing in the form of tunics and draped fabric stoles or togas. By medieval times, costumes, especially for women, had evolved into much more complicated arrangements including yards of fabric in gored sections. This created that wide, flared skirt that ensured a woman’s modesty by hiding the shape of her lower body. During this same period men began wearing the codpiece as a statement of their strength and prowess. By the Victorian era, women’s garb had become even more complicated and restrictive with elaborately boned corsets, yards of fabric devoted to undergarments, and the covering of all skin other than the face and hands. At the same time, clothing for men was becoming much simpler.

T​he clothing for women in the twentieth century ​changed drastically in nearly every decade. In the 1920s, women’s dress was much more androgynous than previous generations. Dropped waists and shorter skirts, along with simple, bucket-shaped hats, combined to make even the most curvaceous women appear boyish. By the 1930s and 40s, femininity had once again declared itself in the shapes of women’s clothing with rigid bras, girdles and the re-emergence of the defined waistline. However, the carefree 60s brought back the idea of non-gender specific clothing with both boys and girls sporting tie-dyed t-shirts, low slung bell-bottomed jeans and sneakers. Even hair styles converged with both genders choosing to wear their hair long, straight and parted down the middle.

The Job of a Costume Designer

Parisian mime working for tips entertaining crowd.
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What is the job of a costume designer? Is it to simply dress the actor or actresses, and put some earrings and other accessories on them to complete the look?

Costume designers have the job of making sure that the actor, actress, entertainer or celebrity looks stunning, appealing and makes a lasting impression at the first glimpse. They have the knowledge of understanding the importance of incorporating appeal with color and style into their presentations. Their decisions on costume selections and presentations can do a lot to affect the industry overall.

The job of a costume designer does include the task of selecting colors, materials and accessories, but the overall job of their role is so much more involved.

1.) Depending on the role cast or the entertainer’s theme, they have to select their wardrobe that fits in with the theme. To do this, they may have to research the event to find out more information to help them decide on which way to go with the presentation. They may also have to do a bit of research to find out any history or pertinent material on what they’re trying to design a costume for. All of this makes a difference in how and what they decide to do as a result.

2.) Selecting the costumes depends also on the entertainer’s or the celebrity’s preference and style. The costume designer may have a great idea for a costume, but if it doesn’t fit the personality of the celebrity, it may not go over so well. This is often only important if the celebrity is a big name person. On other events, the costume designer gets to use their own creative judgment when it comes to using a particular design or theme.

The designer should always take these things into consideration when doing their jobs. They can help them make the right choices and help everybody shine.